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The theme of divine bedroom music stays strong in the trip that is “Planet God Damn.” This track lays down eccentric beats with the combination of artist Njomza’s seductive voice, making a dynamic creation that pleases and surprises the ears. “I can breathe I can breathe, so much better,” sung by Green, is the verse that sums up the effect of this song. This sound, combined with the feature of CeeLo Green’s angelic voice as a spiritual guide, creates a feeling similar to walking through the clouds. The music travels through contrasting beachy tunes, to a steady drum beat, to celestial piano keys. Miller’s track, “We,” is another that will take you on a journey through feeling.
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Miller is genius in his combination of beats to lyrics, pulling out emotions that can’t be created in silence. This track wonderfully captures intimacy through steamy lyrics with trippy beats to match. “I open up your legs and go straight for your heart,” Miller raps, further impressing his idea that love is created through sex. The not safe for work track, “Skin,” captures Miller’s admiration for the divinity of the intimacy between two people. His drone out, raspy voice is the perfect match for the sultry lyrics that fill this album.
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On a brighter note, Miller makes one hell of a sex album. It seems to be a pipe dream to believe any male rapper would write a verse enlightening about women, and this album is no exception. This is something I was hoping to gain out of Miller’s newest album. The admiration of the female mind and of female talent are aspects I have been so patiently waiting to hear in the rap music I listen to. With the title, “The Divine Feminine,” a young female fan like myself would hope to hear songs dedicated to the boss essence of a woman. By releasing an album fully dedicated to love, Miller has shared with the world that he’s grown, that he has a heart, but also that his heart beats in his pants. The innovative rapper from The Burg’s newest album takes you on a journey of lust, sex, and the tug and pull that is young love. You nodding your head…and then wondering why you feel the sudden urge to text your ex. 16, “The Divine Feminine,” and the funky, soulful beats will have Another aspect that makes this the rapper's most fulfilling album is that all the lines about being saved and in awe seem to be expressed with as much ease as the anatomical references, like they're plain facts, not wrenching confessions.Mac Miller released his fourth album on Sept. At all times, Miller and his associates are on the same page. It's surpassed during the second half by the combination of "Soulmate," a sticky/slippery Dâm-Funk production, and "We," a beatific mellow groove elevated by the harmonious voices of CeeLo Green and Thundercat. They outfit the songs with twirling strings, punching horns, and lively pianos, the last of which is provided by Robert Glasper on the woozy, Kendrick Lamar-assisted "God Is Fair, Sexy, Nasty." In the dazed but laser-focused ballad "Skin," there's a recurring impassioned saxophone line, and at one point it punctuates Miller's purr of "I open up your legs and go straight for your heart." The album's first half is highlighted by another Anderson Paak collaboration, "Dang!," a sharp hybrid of horn-flecked funk and spangly house. Miller's producers are in accordance with all the lovestruck sentiments. Miller even sings a higher percentage of his words in his limited and sincere drawl, rhapsodizing "You just don't know how beautiful you are" on "My Favorite Part," a clean duet with new flame Grande that sounds like it could be an Anthony Hamilton cover. Crass as it frequently is, the bulk of the album nonetheless has more to do with loving relationships than most releases from the manchild R&B classes of 2011-2016. In between the two tracks, to the point of compulsion, Miller frequently notes his aptitude in the bedroom and his insatiable appetite therein, or wherever else the mood strikes. release, and in its conclusion, Miller's grandmother details with fondness the history of her relationship with her husband. Ariana Grande introduces Mac Miller's first Warner Bros. As a way to illustrate the sincerity implied in its title, The Divine Feminine begins and ends with the voices of women.